Showing posts with label talented friends. Show all posts
Showing posts with label talented friends. Show all posts

Sunday, 11 November 2012

Comicake!

Yes, it has been a long time.

No, I am not dead.

I can but apologise for the appalling delay between posts, and hope that the contents of this extra-special Comics & Cakery blog post will make up for the wait. Today, I present to you the ultimate marriage of my two favourite things: COMICAKE.


I cannot promise that this is the world's first comic-cum-cake creation, but it was certainly a first for me and - going by the conversations I had with the contributors - for them too. 

Yesterday saw the second of Comica Festival's biannual Comikets for 2012, and it was quite the occasion. I had decided a while back that, as well as being the good little volunteer that I am, I would bring my own special brand of peculiarity to the November Comiket in the form of a comics-themed cake (or "Comicake", if you will). Unfortunately, in spite of having had the best of intentions, my hectic schedule and lack of preparedness meant that it was all a little ad hoc. I spent most of Friday making the cake (an insanely rich, dense chocolate cake from BBC GoodFood, which hopefully will not have given too many people diabetes) and painstakingly covering it with white sheet icing and small "panels" of black icing. The hope was that it would end up looking a bit like a double page spread of a comic. Thus, when I turned up at Comiket (having forewarned a few artists, but sadly not many), I was carting this with me:


Not the easiest thing to get across London at 7 in the morning, I can tell you. Still, I managed to arrive with cake surprisingly intact. As I had managed to do so little in the way of forewarning artists, I was originally just going to ask each contributor to attempt a mini self portrait (or similar) to fill the pages. However, the wonderful Paul Gravett (part of the trio who run Team Comica, for those not in the know) was having none of that. "No! It must have narrative!" he cried. 

...Or...well...maybe "cried" is a little strong. But he was very keen that some kind of story emerge, and in retrospect I am glad that he was.

The cake kicked off with Woodrow Phoenix, who got the ball rolling with a panel featuring his Pants Ant character. He, like many other artists on the day, chose to decorate with the wonderful double-ended Culpitt pens that I discovered in my local Whisk shop. Very handy tools that avoid lots of faffing about with fiddly icing tubes and piping. Here he is in action, beginning the Comicake masterpiece:


Throughout the course of the day I worked my way around the hall, gently (and not so gently) badgering kind-hearted souls to help create this collaborative, edible story. Rather than take you through the process panel-by-panel (a process, mind you, that lasted about 4 hours in total), here's a selection of photos taken throughout the day to capture the cake's evolution:

Joe Decie joins in the fun

A story begins to form, with Pants Ant spotting some free cake. Mmm, tasty
self-referential comics...

Graham Johnson tries out a brush and food dye technique, whilst Rob Cureton
watches over and documents the process fastidiously

Page one in progress

Luke Surl gets in on the fun

David O'Connell and Hunt Emerson both have a go, with Hunt finishing
page 2 to give other artists something to work towards

David and Hunt were also the first (but by no means the last) contributors
to have a go at moulding some fondant icing to create a 3D effect,
as seen in David's panel here

Claude T.C. provides crucial support to Nich Angell as he
tackles his panel

Page 1 completed, image borrowed (as it's clearer than mine,
and in the hope that she won't mind) from Sarah McIntyre's
blog post about Comiket

John Miers took particular pleasure from crafting his 3D masterpiece...


Said masterpiece on display, kicking off page 2 with a bang! 

The ever-charming Dan Berry gets in on the action

Here's his panel, next to John's. Sadly we had no green pens, but I think Dan
still managed to effectively recreate John's creepy character 

Sally-Anne Hickman followed on from Dan's panel, and was the only artist
to utter the words "oh yes, I've used these pens before!"

Page 2 in progress, with Hunt Emerson's final panel on display

Douglas Noble brings Pants Ant back into the story

A slightly blurry shot of the first half of page 2, with Doctor Simpo's 3D panel
on show

Sarah McIntyre jumps into action!

Soon followed by Darryl Cunningham, who was no match
for my persuasive skills

I grabbed Rian Hughes pretty much as soon as he'd walked
in the door. Clearly I was getting pushier as the day went on!

A complete page 2, with some lovely (if slightly bizarre)
story development

Said story development in a slightly less blurry depiction...

I just want to say a final thank you to everyone that took part, and helped me to indulge my love of comics and cakery. I hope I brought a little of the joy of cake making and decorating to the contributors, and that everyone who then went on to buy a piece of cake (bless you for that) enjoyed eating their part-art-part-dessert purchase!

Lord knows how I'll top this next time, but believe me - I'll try!


Here's that image of the final cake again, with a list of contributors below:

Page One [reading across rows from left to right]: 4 introductory panels, 
then Woodrow Phoenix, Joe Decie, Jazz Greenhill, Elena Vitagliano, 
Graham Johnson, Rob Cureton, Luke Surl, Theo Aji, 
Richy K. Chandler, David O'Connell, Nich Angell, Will from Twisted Dark 
(whose surname I must find out...)

Page Two [reading across rows from left to right]: 
John Miers, Dan Berry, Sally-Anne Hickman, Francesca Cassavetti, 
Douglas Noble, Jaime Huxtable, Frank Fiorentino, Doctor Simpo, 
Sarah McIntyre, Darryl Cunningham, Gary Northfield, John Maybury, 
Rian Hughes, JAKe, Krent Able and Hunt Emerson.

Monday, 24 September 2012

Teapot Therapy and On Reflection: An Andy Poyiadgi special!

It’s always a bit of an awkward moment when someone you know offers to send you their work to look at. Even if you insinuate yourself into creative, artsy circles like I do (bribing creators to be my friend with cake), there’s nevertheless a risk that you will open up said link or email and find something that isn't your kind of thing at all.

Mercifully, when the lovely Andy Poyiadgi said he would send me a story of his (a suggestion which - appropriately enough for this blog – came from a shared love of tea, biscuits and cake) I opened up the link and was blown away. The piece in question was Teapot Therapy, which can be found here. In 4 short pages, it does something that many comics struggle to achieve: it connects on an emotional level, and is incredibly moving. The heartache that forms an undercurrent to the comic gradually seeps into the story, never becoming melodramatic or trite, but rather striking a recognisable and convincing chord. I won’t go into the story too much as, frankly, you should just go and read it for yourself. (It's only 4 pages, don't be lazy now). Suffice it to say that it is a thing of quiet beauty. Something which can also be said of Andy’s art, which somehow manages to match the tone of his narrative perfectly. Soft, clean lines and muted colours (aided by the clever use of actual tea for the backgrounds, I believe) seem at first comforting, but then with the gradual reveal of the story take on a different meaning. For me, they speak to a muted every-day life: not grim or unbearable, but somehow sapped of those things that had once made it vibrant and engaging.

Formally, Andy plays with the conventions of panels and structure in a way that is interesting but never distracting, with each new shape or sequence adding another subtle level of meaning to the story. And you can’t deny that it’s beautiful to look at. I mean, seriously now, just look at this page:


Sigh. Lovely stuff. If you're a fan of more traditional panels, Andy's also got a 6 page story in  ink+PAPER #2On Reflection. Rather like Teapot Therapy, the tone is quiet and thoughtful, with sequences given over to individual moments to allow each one the space and weight it deserves.


Compositionally, it is perhaps more conventional than Teapot Therapy, but it is nonetheless an intriguing one to pore over. Without giving too much away (again, you should be going out and buying yourself a copy of ink+PAPER #2 here, or at your local comic shop), take a moment whilst you're reading this to enjoy the way in which reflection permeates not just the content of the panels, but also the structure of the page.

What a lovely thing it is to discover just how talented one of your friends is. Having seen what Andy can do in a shorter piece, I'm now eager to find out what he could do with a longer story. One to watch, I have no doubt!