Mercifully, when the lovely Andy Poyiadgi said he would send
me a story of his (a suggestion which - appropriately enough
for this blog – came from a shared love of tea, biscuits and cake) I opened up
the link and was blown away. The piece in question was Teapot Therapy, which
can be found here. In 4 short pages, it does something that many comics
struggle to achieve: it connects on an emotional level, and is
incredibly moving. The heartache that forms an undercurrent to the comic gradually seeps into the story, never becoming melodramatic or trite, but
rather striking a recognisable and convincing chord. I won’t go into
the story too much as, frankly, you should just go and read it for yourself. (It's only 4 pages, don't be lazy now). Suffice it to say that it is a thing of quiet beauty. Something which can also
be said of Andy’s art, which somehow manages to match the tone of his narrative
perfectly. Soft, clean lines and muted colours (aided by the clever use of actual
tea for the backgrounds, I believe) seem at first comforting, but then with the gradual
reveal of the story take on a different meaning. For me, they speak to a muted every-day
life: not grim or unbearable, but somehow sapped of those things that had once
made it vibrant and engaging.
Formally, Andy plays with the conventions of panels and structure in a way that is interesting but never distracting, with each new shape or sequence adding another subtle level of meaning to the story. And you can’t deny that it’s beautiful to look at. I mean, seriously now, just look at this page:
Formally, Andy plays with the conventions of panels and structure in a way that is interesting but never distracting, with each new shape or sequence adding another subtle level of meaning to the story. And you can’t deny that it’s beautiful to look at. I mean, seriously now, just look at this page:
Sigh. Lovely stuff. If you're a fan of more traditional panels, Andy's also got a 6 page story in
ink+PAPER #2: On Reflection. Rather like Teapot Therapy, the tone is quiet and thoughtful, with sequences given over to individual moments to allow each one the space and weight it deserves.
Compositionally, it is perhaps more conventional than Teapot Therapy, but it is nonetheless an intriguing one to pore over. Without giving too much away (again, you should be going out and buying yourself a copy of ink+PAPER #2 here, or at your local comic shop), take a moment whilst you're reading this to enjoy the way in which reflection permeates not just the content of the panels, but also the structure of the page.
What a lovely thing it is to discover just how talented one of your friends is. Having seen what Andy can do in a shorter piece, I'm now eager to find out what he could do with a longer story. One to watch, I have no doubt!
Compositionally, it is perhaps more conventional than Teapot Therapy, but it is nonetheless an intriguing one to pore over. Without giving too much away (again, you should be going out and buying yourself a copy of ink+PAPER #2 here, or at your local comic shop), take a moment whilst you're reading this to enjoy the way in which reflection permeates not just the content of the panels, but also the structure of the page.
What a lovely thing it is to discover just how talented one of your friends is. Having seen what Andy can do in a shorter piece, I'm now eager to find out what he could do with a longer story. One to watch, I have no doubt!